Art Director Matt Kuzminski walks us through the process of redesigning Macha from the ground up. Take it away, Matt! Macha's in-game model, Dawn of War (2004) We last saw Farseer Macha over ten years ago, in the first Dawn of War. Not only has Eldar design evolved since 2004, but the character herself has grown. The events of Dawn of War challenged a lot of Macha’s perceptions, maturing her into a more thoughtful and objective leader. For Dawn of War III, we wanted to reflect that change and portray her not only as a capable warrior and commander, but as someone who can shape the destiny of her species.

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2D Concept One of the central pillars the art team follows is to design for gameplay first. Quick digital sketches are great because they tell us right away if the general shapes and vibe are going to work at a distance while still capturing the essence of the character. Detail and subtlety are difficult to convey in the gameplay camera view, so overworking the concept in the 2D stage doesn’t guarantee it’ll translate seamlessly to 3D.

We’ll touch more on this further down! An early 2D exploration One of the biggest changes for Macha was the removal of her helmet. Despite being a big fan of Eldar Farseer helmet designs (and having modelled more than a few myself), the story we want to tell in Dawn of War III requires us to see her face. In this initial concept exploration, you can see me playing with the idea of a Greek Hoplite-inspired look and incorporating a helmet that doesn’t obscure her features. Without spoiling too much of the story, Macha doesn't take things at face value. That's a very important part of her character in Dawn of War III.

We wanted to capture a lot of these elements in her portrait - visionary, warrior, priestess, legend. This is an early example of that. The strong facial structure is there, but as the story evolved, the tribal haircut didn’t serve the direction we were heading.

Exploring different concepts This was a sketch exploring a different vibe - high priestess, alien, circular. I ended up referring to this one as my “weird little sketch”. Although it’s a far cry from the final design, I wanted to show it because it really solidified a lot design goals for the team. We liked the high priestess vibe we got from the concentric elements radiating from around her head - it looked ornate, but not cumbersome to wear. It all culminated in portraying Macha as a wise and knowing leader, even though just a few elements were incorporated into the final design. 3D Concept Earlier I mentioned that overworking the concept can work against us.

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