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Jun 26, 2018 - Machine Head are heading back to Australia in July in support of their latest album 'Catharsis' which was released earlier this year.

Over the years, I’ve discovered that I tend to have some unique opinions on metal that differ wildly from most fans, and one of the best examples of this is with Swedish band Hammerfall. The band started out in the 90’s as a mostly pure, old school power metal band which should have been perfect for my tastes, and yet for some reason the primitive, basic songwriting of their debut Glory to the Brave, for all the energy it had in its speediest moments, never really grabbed me the way some of their more polished efforts like Renegade and Crimson Thunder did, despite the fact that many consider it to be their best album. Likewise, in 2011 when the band made the zombie themed Infected, an album that moved away from their typical blend of epic, upbeat power metal and old school heavy metal into a darker, harder hitting and more modern-sounding heavy metal album with only occasional bursts of speed (also their one and only album to not feature their mascot Hector on the cover art) and the majority of their fans hated it, I was largely impressed. In fact, that album still stands as my favorite in their discography due to its unique feel, its powerful riffs and how much it stands out when compared to the rest of their work, which aside from that release I usually tend to judge not on which albums I like the most overall, but on which albums have more highlights. Unsurprisingly, when the band attempted something of a return to the roots on their previous album, (r)Evolution, and many of their fans thought of it as their best in years, I was left with mixed feelings.

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So suffice to say, I was a little bit nervous when it came time to hear their tenth full-length album, Built to Last, but against all my expectations it has ended up as one of my favorite heavy/power metal albums of the year, and I like it almost as much as Infected. Don’t let that last part serve as a warning, though, because this album definitely isn’t similar to Infected at all. In fact, one of my complaints about (r)Evolution was that it felt like the band was stuck in a spot where part of them wanted to go back to their early sound, while another part wanted to stick to their modern sound, and so it ended up feeling like a weird mishmash between the two, with even some songs like “Wildfire” feeling like failed attempts to do speedy power metal while incorporating modern elements, and things fell apart quickly. The highlight of that album was the lead single “Hector’s Hymn”, a track which along with “Bushido” felt like classic Hammerfall at their best, and so I was hoping the band would commit one way or another this time around, either going fully back to their roots or continuing with their modern sound. Thankfully, they did, and they made a decision I’m sure longtime fans will be pleased with: They’ve made a full on return to their classic sound, with a blend of epic speedy power metal and catchy old school heavy metal tracks, in a release that stylistically falls somewhere in between Renegade and Crimson Thunder, my two favorites from their early years, leaving very little trace of the sound found on Infected and, to a lesser extent, its predecessor No Sacrifice, No Victory. Now that I’ve gotten that long introduction out of the way, let’s move on to the fun part. Musically the band sounds tighter and more energetic than they’ve been years, with the fast parts having more energy than they did on the previous few albums, and there are some very nice melodies and guitar solos to be found throughout.

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At the same time, the slower tracks are also equal parts more fun and more inventive than on the previous album, while being much lighter than Infected or its predecessor. Vocally, Joacim Cans sounds as strong as ever, and he hits some pretty high notes on a couple tracks, showing he still has it in him to deliver huge choruses the way he could in the late 90’s/early 2000’s. More importantly, the songwriting is very consistent across the board, as there’s only one less than the great track to be found (which I’ll get to in a bit).