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Perfect Lives album lyrics by Robert Ashley. Full discography of Robert Ashley.

Perfect Lives-Background PERFECT LIVES — BACKGROUND, CREDITS, SYNOPSIS Robert Ashley’s television opera “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, et al, in the American Midwest. One of the definitive text-sound compositions of the late 20th century, it has been called a comic opera about reincarnation. “Nothing less than the first American opera, written within an American language utilizing various American attention spans: snippets for the channel switchers, layers of meaning for the smart-alecks, something for everyone, and accessible. Works such as this put to rest any doubts if opera can or should survive, and how.” — Fanfare (Allan Evans), March/April 1992 PRODUCTION HISTORY PERFECT LIVES was developed musically through live performances in Europe and America.

“Blue” Gene Tyranny was Ashley’s first collaborator — his keyboard melodies and harmonies define the character of Buddy. Tyranny and Ashley performed a chamber version of the piece many times together (including at The Kitchen in early 1978). Shortly after, The Kitchen commissioned PERFECT LIVES as an opera for television, the live version expanded to include richly layered orchestral tapes produced by composer Peter Gordon, and the singing of Jill Kroesen and David Van Tieghem. In 1980, John Sanborn recorded the basic video tracks on location in Illinois according to the templates provided by Ashley’s score. From this material, The Lessons, a preview version of the opera (based on keyboard gestures by “Blue” Gene Tyranny) was produced through the TV Lab at WNET. In the fall of 1982, a pre-sale was obtained from Channel Four Television in Great Britain, making possible the completion of Perfect Lives.

John Sanborn, the television director, designed an elaborate shooting and editing plan for the visual elements of Ashley’s score. The post-production was completed this August (1983) at VCA Teletronics, under the supervision of Dean Winkler, who worked with Sanborn on image processing and was the videotape editor. Since its premiere on Great Britain’s Channel Four in 1984 PERFECT LIVES has been broadcast throughout Europe and in various cities in the United States.

PERFECT LIVES was produced with support from the National Endowment for the Arts (Media and Visual Arts Programs), the New York State Council on the Arts (Media Program), the Rockefeller Foundation, the Ford Foundation, and the Beards Fund. Over the years Lovely Music has made various formats of PERFECT LIVES available: on audio cassette in 1984; on CD in 1991, for which the audio track was re-mastered by Allan Tucker at Foothill Digital; on VHS in 1994; and in 2005, on DVD, completely re-mastered at Blink Digital under the supervision of Dean Winkler, available in both NTSC and PAL.

On April 2, O'Neal recorded two covers, 'Today Has Been Okay' and '', that were both used in the eleventh season of. On July 8, 2014, Sleeping at Last released Atlas: Year One, a compilation of the previous year's six extended plays. On January 30, 2014 the song 'Sun' from the EP Atlas: Space 1 was used in the trailer for the book-based movie. In 2014 the song 'Light' from the album Atlas 1 was used on the OST of The Little Death. Sleeping at last yearbook november zip. On February 18, 2015, O'Neal announced, via his Facebook page, that Atlas: Year Two would be coming out in the spring of 2015.

In 1991, Burning Books (Santa Fe) published a hard cover edition of PERFECT LIVES’ libretto, edited by Melody Sumner Carnahan, with Robert Ashley’s commentary. * * * * * SYNOPSIS PERFECT LIVES — an opera for television by Robert Ashley. The Backyard (T'Be Continued) Raoul de Noget (No-zhay), a singer, and his friend, Buddy, “The World’s Greatest Piano Player,” have come to a small town in the Midwest to entertain at The Perfect Lives Lounge. For some reason, unexplained, they have fallen in with two people from the town, Isolde (“nearing 30 and not yet spoken for”) and her brother, “D,” just out of high school and known as “The Captain of the Football Team” (his parents call him Donnie), to commit the perfect crime, a metaphor for something philosophical: in this case, to remove a sizable amount of money from The Bank for one day (one day only) and “let the whole world know that it was missing.” “D” is currently Assistant to the Manager at The Bank.