Dig this cold joint: Royal Trux 'Singles, Live, Unreleased' returns to the world with a Pitchfork 8.2. Talk about a moment in time! I can remember these heydays.so grimey and beautiful as they once were. Royal Trux – Royal Trux / Twin Infinitives / Untitled / Cats And Dogs. By Simon Tyers / 17 January 2011, 13:00 GMT. Royal Trux / Twin Infinitives / Untitled / Cats And Dogs; Royal Trux -. Compared to 1990′s Twin Infinitives, that album is Scouting For Girls.

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Previously on OPIUM HUM: Alright, enough fucking around: here's the most difficult, drug-addled, borderline unlistenable hipster noisefuck I can think of. Nothing before or after Twin Infinitives, including within Royal Trux's discography, has ever sounded like this record. Dense and virtually devoid of melody or rhythm, it's rock and roll torn apart and haphazardly slapped back together using laser SFX, broken amps, and LSD, with two NYC ghosts droning an endless stream of incomprehensible words over everything. Track listing: 1. Solid Gold Tooth / Ice Cream / Jet Pet / RTX-USA / Kool Down Wheels 2. Chances Are the Comets in Our Future / Yin Jim Versus the Comet Creature / Osiris 3. (Edge of the) Ape of Oven 4.

Florida Avenue Theme / Lick My Boots / Glitterbust / Funky Son / Ratcreeps / NY Avenue Bridge. Baby veera real name.

From what’s out there, it sounds as if Interpol missed its mark. Maybe mope rock just doesn’t have the same staying power it did several years ago.

Now we’ve moved onto newer, more nostalgic genres. These genres that we’re told are cool and make us look “with it”. I’m talking about buzz, fuzz, chill, low fidelity, etc. All of those terms just mentioned add points onto your score, not the boring ones like Arena Rock, Indie, Post-Rock, etc. Any references to those latter words automatically force the band to try that much harder to overcome the burnt out feeling so many have towards them.

For what it is worth, Pitchfork did many hatchet jobs that day, also panning a Blonde Redhead album. After a heady summer of promoting summer bands, they realize that a clean break with the past is needed. So those bands they previously fawned over get lower ratings than they would have otherwise. Even keeping in mind that realistically not all of those bands will continue churning out endlessly good products (duds happen) it seems like Pitchfork does tend to cut itself loose as soon as a popular buzzword begins attracting too much scorn and derision among the cool kids.